I think I've proven with my career that I can play a wide variety of characters. Yet, I still get typecast as the crazy slob guy. That's how it always works.
In Manhattan, I often do two or three or more shows a night, so I'm always working on new material.
I don't consider lacrosse a sport. To me that's just a frat activity that got out of hand.
Before I started doing '30 Rock', I did about 25 movies. I'd always been doing stand-up every night, and then I would do, like, two to four movies a year. So I really liked doing that, and I want to get back to that, but because of the time commitment to '30 Rock', there's not much time to do that stuff.
Sometimes '30 Rock' was a struggle because I'd be doing the show and still be doing stand-up full-time.
If you are doing stand-up comedy, you have to be confident in what you are doing. That doesn't mean just because you are confident you are funny.
I've been driving in the city for years because, as a stand-up in N.Y.C., you can perform at more comedy clubs a night if you have a car. Getting from club to club by subway is too slow at night and too expensive by cab. So, many comics live far out from Manhattan and drive in every night.
Stand-up is kind of like my home base, and doing stand-up in New York is what I like doing most.
I think some people's comedy IQ's aren't as high as other people's, so they don't really know what's going on. Or they think they know what's going on, but they don't really.
I started doing my own animated movies when I was in ninth grade; that's when I got the filmmaking bug. When I was about 16, I started writing jokes for doing stand up, and then I was 19 and started doing stand up.